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Lee has set no hard deadlines for himself.
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I Love You”) was once attached to direct “Ratchett,” a mystery thriller about a timid police officer and his tough online alter-ego, none of these projects yet have a director on board. All three screenplays are still in the works, with Gary Goldman (“Next”) writing “Blaze,” Zoe Green (“Book of Shadows”) writing “Tigress” and Doug Cook and David Weisberg (“The Rock”) writing “Ratchett.” Although Richard LaGravenese (“P.S. “But every time we discuss anything with anybody, they say, ‘Are you going to do a comic book version?’ So we can’t get away from comics - and I must admit I’m not really eager to get away from comics.”Īmong Lee’s POW! projects for Disney are three new characters - Blaze, Tigress and Nick Ratchett - designed specifically for potential feature franchises. POW! has a first-look deal with Disney, which recently extended the relationship. That’s now the main focus of POW! Entertainment, the company he launched in 2005 after failing with another company, Stan Lee Media, which he is still battling in litigation.
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When Lee moved from New York to Los Angeles in the late 1970s, it was originally to animate Marvel’s characters in cartoons, but his interest in film and TV was immediately sparked. He now spends much of his time developing treatments and outlines for potential live-action and animation films, TV and video game franchises. Lee actually has been moving in the opposite direction these past few years.
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Mainly because they’re hoping that whatever they do will result in it turning into a motion picture.” “Because more and more top writers and top artists, who in the past might not have considered working for comics, are eager to work for comic books and graphic novels. “Now the comic books themselves have gotten better and better,” he says.
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In the past decade, comics are now treated like blockbuster films, with comics creators launching new material as “events.” But far from decrying the co-option of Comic-Con by Hollywood, Lee sees the movie industry’s interest as a boon for the business.
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We want to start this one slowly and build up the fan following and get the excitement and the mystery behind it and have people talking about it.”ĭisney’s initial order is for 10 episodes, with a viral marketing campaign to promote the project and, launching Thursday, a free “Time Jumper” iPhone application that allows fans to convert photos to comic book imagery, plus 99 cent episode downloads available on iTunes.ĭisney’s splashy launch makes sense. “It could become a TV series, it could become a movie. “Once it’s premiered on cell phones and the Internet, it could go anywhere,” Lee says. He will unleash his latest creation - a digital comic titled “Time Jumper” - Thursday at Comic-Con, which he’s attended since just after its launch in 1970.īacked by Disney, the project is made up of serialized five-minute episodes with built-in cliffhangers that will be released every two weeks through December.
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“But I’m doing what I want to do! If anybody forced me to spend a day on the golf course, I’d feel I was being tortured!”įamous for co-creating some of the most enduring comics heroes in history (Spider-Man, Incredible Hulk, Iron Man, the X-Men, the Fantastic Four), Lee is still innovating. “People usually retire because they can finally stop working and they’ll have the time to do what they really want to do,” Lee says. As he reflects on a landscape that has undergone a seismic shift in the past 30 years, Lee is far from out of ideas or ambition. Superheroes may come and go, but Stan Lee is forever.Īt age 86, the grand master of the comic book world - and the Marvel universe, in particular - is still going strong, creating a fresh crop of mythic characters with outsized powers and troubled pasts.